00:01
Hello everyone. This is Pharoah's Podcast. And this is People You May Know. The story of the people and the staff. Oscar Wilde.
00:16
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00:38
Hello, people you may know. I'll come back to you again. Thank you so much for joining us. Thank you so much for joining us. Thank you so much for joining us.
00:53
At this point, I see that this is the name of the book. Oh, this is the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. It's the name of the book. This is Oscar Wilde. This is Oscar Wilde.
01:24
This is Oscar Wilde's Oscar Wilde's Oscar Wilde. This is Oscar Wilde's Oscar Wilde. This is Oscar Wilde's Oscar Wilde's Oscar Wilde's Oscar Wilde's Oscar Wilde.
01:48
Oscar Wilde, which... But in the same way. I like it. I like it.
01:53
I like it. I like it. I like it.
01:55
I like it. I like it.
01:59
I like it. I like it.
02:02
I don't know, but I have to go back. Look at this. I have to say it first. I don't know, but I don't know. I have to say it first. This is what I've been doing for a long time. I've been doing it for a long time. I've been doing it for a long time. I've been doing it for a long time.
02:12
I've been doing it for a long time. I've been doing it for a long time.
02:14
I've been doing it for a long time. I've been doing it for a long time. I've been doing it for a long time. I've been doing it for a long time.
02:19
I've been doing it for a long time. I'm doing it for a long time.
02:24
that I would like to use Oscar Wilde as an open source of Oscar Wilde. Because this is the wisdom and wisdom of Oscar Wilde. Because Oscar Wilde is very strong in terms of the meaning. When we talk about Oscar Wilde, we talk about the meaning of the meaning of the meaning. Because we talk a lot, we will choose the meaning of the meaning of the meaning of the meaning of the meaning of the meaning.
02:52
We will open it with the first language.
03:00
Be yourself.
03:01
Everyone else is already taken.
03:03
That's so easy.
03:05
So if you're in Thai, you're in your own. Or you're in your own. You're in your own. You're in your own. Because Oscar Wilde will talk about Lameng Lakorn. You're in your own. Because you're in your own. Because you're in your own. You're in your own. And you're in your own. The most important thing is When I was talking to you, Oscar Wilde, I didn't say anything. Wow.
03:33
I've seen it in the Quotation. I think there's no one. There's no one. There's no one. There's no one. I don't know what to say.
03:40
I don't know if it's true or not. Let's start with it. What I wanted to say was that Oscar Wilde.
03:59
But in the same way, it's a lot to say about Oscar Wilde. Because his life has all the things that are real and the things that others have to do. And the nature of the world and the nature of the world has come from this society.
04:15
When you go to the world, after the past few days, the things that are not real will become real.
04:22
Yes, we believe that...
04:23
We are all in the gutter, but some of us are looking at the star. We are all in the gutter, but some of us are looking at the star. We are all in the gutter, but some of us are looking at the star.
04:51
He has to look forward to it. And I think that this is dead. Because if you look down at Oscar Wilde, you'll see that this person is a very ambitious person. Ambitious. Ambitious. He has a hope. He has a dream. And he has a dream. And the most important thing is to trust the black people.
05:14
It's important to know who doesn't know who doesn't know, but you can change the plan. And don't forget to be in the society where we're going to talk about it. Because today we can't talk about Oscar Wilde without having a chance. It's the society of Victoria. And the people who want to
05:33
There is no sin except stupidity. There is no sin except stupidity.
05:56
But the stupidity in this situation, don't understand that it's a great thing or a crazy thing. The stupidity in this situation is a great thing. The stupidity in this situation is a great thing. Don't think about it.
06:15
Because the culture of Victoria's culture, that Oscar Wilde is a culture that used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture, used to be a culture If you think about it, you can use it. And if you take it out of it, you can take it out of it.
06:43
Because it doesn't matter. It doesn't matter. It doesn't matter. There are three words that are open. One of them said that you don't have to meet someone. But I like it.
06:54
I like it. I like it. I like it. I like it. I like it.
06:56
I like it. There are a lot of people here. There are a lot of people. There are a lot of people. There are a lot of people. There are a lot of people.
06:59
I have to say that when we talk about Oscar Wilde, we will talk about the people who are able to do the language.
07:02
They are the people around the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of the corner of I'm a person who is a coach. I'm a coach.
07:35
I'm a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person It's a person who uses the language in order to find it.
07:53
It doesn't mean it's true or true. It's true. It's true. It's true. It's true.
07:58
It's true. I'm trying to keep up with each other.
08:01
It's better than the general language. What's it? What's it? What's it? What's it? What's it? What's it? What's it?
08:06
What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it? What's it?
08:18
1854, in Dublin, island. When it started, it was a very long name. The name was Oscar Wilde. Oscar Fingo, O'Franherty Wills Wilde.
08:33
The long name was a lot of... It was a lot of anger.
08:39
It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me.
08:55
It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me. It didn't happen to me.
09:07
because he's called William Wyde. So if we're strong in what we're going to do, we're going to be able to do it again. So if we're strong in what we're going to do, we're going to be able to do it again.
09:26
It can be a man from his father. Therefore, his father is strong to be a man. This is my mother. My mother named Jane Francesca Wye. My mother is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is I learned a lot, because I didn't realize that my mother was a man and a man. So the language is a man. And the way that my mother is an activist, she is a man.
10:01
It might have some kind of background in the background. And don't forget that my mother is a car to get out of the island from English. She can see the person who was Irish in the past. Even if she was the person who was at the bottom of the society of Irish.
10:23
But...
10:24
It's still not English. I don't want to be the one thing.
10:29
The Thai, it's like an Irish person. It's become an Irish person. It's become a sign. If it's a sign, you have to go to London. If it's a sign, you have to go to English. If it's Irish, it's not.
10:45
This character was in the middle of Oscar Wilde. When he went to school, the crew asked him, What do you want? What do you want? What do you want? Oscar Wilde said, What do you want? What do you want? No, no, no.
11:10
It's true. It's true. It's true. It's true. It's true. It's true. It's true. It's true. It's true. It's true. But I want to be a person who impressed me. I want to have the best name. I want to make it better. I want to make it better.
11:27
From this point.
11:29
I went to Oxford at the end of the year 22. So Oxford has to be strong. It's just to come back to me. Because Oxford told me that I'm going to London.
11:44
I am the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is I hope that I have to go to London's society. I know that if you are a person who has a sign, you have to go.
12:14
There is a friend of mine. My friend is Frank Mize. I don't have to stop. Because I'm just the same.
12:22
Frank Mize is a friend of mine. I don't know what to say. He is a friend of mine. He is a friend of mine.
12:33
It's all over the world.
12:35
Frank Mines has no idea for anything. But there is no idea. When it comes to the world, it's not going to be a list. It's not going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list. It's going to be a list.
12:55
It's just to go to the world, to go to the world, to go to the world. To go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, to go to the world, She helped her to know about a woman named Lily Langtree.
13:27
Lily Langtree is a society that is very gay and is very gay. She is a woman of Prince of Wales. She is a woman of the 7th. She is a woman of Queen Victoria.
13:43
So Prince of Wales is the father of Chai. The father of Chai is Edward VII. This is the father of Chulap. This is the father of Chulap.
13:54
This is the father of Chulap. This is the father of Chulap. This is the father of Chulap. This is the father of Chulap. This is the father of Chulap. This is the father of Chulap. The father of Chulap is the father of Chulap. This is the father of Chulap.
14:10
So we're going to finish. When we finish this project, we're going to finish the project with Lily Langtree. Oscar has a dream that I want to do something that comes to the language. What do you think? I'm going to show you what I'm going to show you. I'm going to show you what I'm going to show you. I'm going to show you what I'm going to show you. I'm going to show you what I'm going to show you. I'm going to show you what I'm going to show you.
14:33
I hope that he will play with me. And I hope that he will play with me. I hope that he will play with me. I hope that he will play with me. If he will play with me, he will play with me.
14:48
Lillie is in the background, but the first story of the show has been a lot of fun, there is no one who wants to play, and it's the most famous work of Oscar Wilde.
15:03
Do you have a name?
15:04
Yes, it's called Vera Ordenales, which talks about the story of the relationship.
15:10
But, Oscar Wilde is an island. And all of them are confused. There's no one to play. Lily said that I didn't play this game. It's a little bit of light. When I was young, there was...
15:29
The first one was the aestheticism. The aestheticism is the aestheticismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismismism There is no way to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to It's beautiful.
16:13
We like to hear the words, life imitates art, art imitates life. This is not necessary. Art is for the sake of art. That's why people who are in this moment are the most beautiful, beautiful, beautiful, beautiful, happy. Oscar Wilde looked at me.
16:34
It's not easy, because there's an aura already. It's not easy. I started to climb up to Lillie Lang Tree. I climb up to the sky. I'm in the middle of the sky. I'm in the middle of the world. Because this is the shape of Winter Wales, Edward VII. So I have an aura. So I want to make it more. I want to make it more. I want to make it more. I want to make it more. I want to make it more. I want to make it more. I want to make it more.
17:04
I want to make it more.
17:11
The director doesn't have anyone to play.
17:14
The director doesn't have anyone to play. Therefore, the director doesn't have anyone to play. So, the director doesn't have anyone to play. So, the director doesn't have anyone to play. So, the director doesn't have anyone to play. So, the director doesn't have anyone to play. The director doesn't have anyone to play.
17:31
That's why you should use this kind of work. You know, you're going to come. You're going to be the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one.
17:46
I didn't see it as far as I went to school. There was a reason for taking this part to school. And then taking Oscar Wilde's name, which is the highest level of the age of this season, taking it to the first stage. It's a parody, it's a style. The feeling of Oscar Wilde is that when we were finished, Oscar Wilde said, what do you think?
18:08
I didn't.
18:09
I liked it.
18:12
Talk to everyone like this, they talk to me. And... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and... ...and...
18:39
If I'm happy, I can be happy from the end of my life and happy from the end of my life. I can see the joy in my life. It's a good day. There are a lot of people who write a book. I use a lot of people who write a book like Gilbert and Sullivan. They write a book or a book or a book or a book or a book or a book or a book.
19:04
He looked into the society and saw the story of the world. He said, I want to get out of it. He designed an opera for one person called Patience. Patience is a part of the world. Patience There is a great actor who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one I started to know about it.
19:44
I started to see the name Oscar Wilde. I started to look at this crowd. But the crowd didn't say that Oscar Wilde was Oscar Wilde. Don't forget that Oscar Wilde was able to have other people. That's why the person who came to this crowd was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one.
20:13
He said it first. He said it first. He said it first. He said it first. He said it first. He said it first. He said it first. He said it first.
20:28
He said it first. He said it first. He said it first.
20:31
The producer and producer of America came to mind that he was an Oscar Wilde. Really? And he said that he was an Oscar Wilde. He said that he was an Oscar Wilde. He said that he was an Oscar Wilde. He said that he was an Oscar Wilde. He said that he was an Oscar Wilde. He said that he was an Oscar Wilde.
20:48
What is it? This is the theme of the Matan. It's like, oh, I'm just doing it. I'm just doing it.
20:55
And this is what I'm doing from London, which is from English. It's hard to do the work, but it doesn't work. It's hard to do it. But this time, I'm just doing it. But it's hard to do it. It's hard to do it. But it's hard to do it. It's hard to do it. It's hard to do it. It's hard to do it.
21:15
In the end of the lecture, the background of this character, or the background of this character, the producer would think that he would create a character to create a character. The character would create a character to create a character. The character would create a character to create a character. The character would create a character to create a character. The character would create a character to create a character. The character would create a character to create a character. The character would create a character to create a character. The character would create a character.
21:45
Don't forget about 177 episodes. For example, when I was playing, it's only half a year. But Oscar Wilde was a collector for a year. The one who was a fan of Oscar.
21:57
There wasn't a play or a director who was playing. I'm confused. Oscar Wilde didn't play that.
22:06
This is something that has a character in America. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. It's a character. And it's a character.
22:31
I don't have anything to do with this film. Because I was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person who was a person.
22:58
I was the person who was in the world of America. He looked at me and said, how do I do it? So I had to have a sense of English. Because in the past, he looked at me and said, if there is anything that is English, he had to go. Oscar Wilde said, I'm very strong. I'm going to lecture about the English Renaissance. It's called the English language language for the American people. So he said that in the lecture, all the lectures are 125 million. In America? In America. It doesn't mean it's a big city, it doesn't mean it's a small town.
23:30
It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town. It doesn't mean it's a small town.
23:46
to build a house and to change the life of life. And the people who look at it are so good. And the people who look at it are so good. And the people who look at it are the women. And the women who are the high level of America, who don't eat it. And the people who look at it are about 1,200 people.
24:12
It was $1,200. It was $1,200. It was $1,200. It was $1,200. It was $1,200. It was $1,300. It was $1,300. It was $1,300. It was $1,300. It was $1,300. It was $1,300. It was $1,300.
24:40
And I think we're going to the end of 125 million.
24:46
We have to understand that there are people who think that this is not good. There are people who see it as well. There are people who see it as well. There are people who see it as well. You can see it as well.
24:57
You can see it as well.
24:58
You can see it as well.
25:04
Oscar Wilde's design is important because it's a lot from English and touring. It's a lot of design that makes it look like it. It's a lot of design that makes it look like it. It's a lot of design that makes it look like the center of this style.
25:23
The style of this style is Dandy. Dandy is the development of the female character. Oscar Wilde is called the idol. When we talk about Dandy, we'll see the picture of Oscar Wilde. If you think Dandy is what is the development of the female character, that has a lot of energy. Therefore, it will be used to use the suit and the blazer.
25:55
But this blazer doesn't have to be off the rack. It has to go into the tailoring process. Therefore, it will have to be used to be able to make the good people and the style. It has to be a style that It has to be a little bit more than usual. It has to be a little bit more than usual. It has to be a little bit more than usual. It has to be a little bit more than usual. It has to be a little bit more than usual. It has to be a pocket square.
26:27
It has to be a little bit more than usual. It has to be a little bit more than usual.
26:39
The group of Dandy will fall down. This is Dandy. So when we see the people who are strong and strong, and at the same time, we can say that they can be able to fall down in Dandy. There will be a situation that is called Dandyism. He said that they will fall down and not get down.
27:01
The Harper's Weekly, which is the purpose of the Harper's Parasar in the U.S., which is the nature of the U.S., which is the nature of the U.S., which is the nature of the U.S., which is the nature of the U.S., which is the nature of the U.S., which is the nature of the U.S. and the nature of the U.S. and the nature of the U.S.
27:20
Why? The aesthetic monkey.
27:22
Why? The aesthetic monkey. Why? The aesthetic monkey.
27:43
Also, it's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame.
27:54
It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame. It's a shame.
28:11
I like it. I like it. I don't care. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it. I like it.
28:41
Until there was a question that he learned about it, it was Atelier 2-2. Atelier 2-2, like TOO and TOO. Like that, it's a lot, it's a lot. It's a lot, it's a lot. It's a lot, it's a lot, it's a lot. Yes, it's a lot. It's a lot, it's a lot. It's a lot, it's a lot. It's a lot, it's a lot.
29:04
It's important that you can add something to your own. You can add something to your own. You can add something to your own. You can add something to your own. You can add something to your own.
29:23
Charles Dickens came.
29:46
There is no one that can be done with this person. There is another one that can be done with this person. He said that in the past, in English, it doesn't matter about the person who has done it. It doesn't matter about the person who has done it. People don't understand that the person who has done it will make a person aware of it.
30:10
Oscar Wilde said, I want people to hear me a lot. I just sit down for the experience in America for 98 times. It's like that every day, every day, I want to experience it.
30:22
Is it a celebrity? It's a celebrity. It's a celebrity.
30:25
It's a celebrity, and everyone knows it's a celebrity, and everyone knows it's a celebrity. It's a celebrity. Oscar Wilde said that Oscar Wilde It started to be done, until it was done with Queen Victoria. Because Queen didn't get to know. Queen didn't get to know. She didn't get to know.
30:49
But Oscar Wilde got to know.
30:50
So, she was done with her. She was done with her. She was done with her. She was done with her. She was done with her. She was done with her. She was done with her.
31:02
There is a group of people who choose to use Oscar Wilde and put it into their own. Smooth note playing, card, packaging of people, and sign language. So we have to use Oscar Wilde and put it into their own.
31:20
It didn't have a legacy. Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, Mersh, M But I can claim the truth to me. Therefore, I want to write the truth to me. I want to write the truth to me. I want to write the truth to me.
31:53
I want to write the truth to me. I want to write the truth to me.
31:58
There is a picture of the picture. The idea of the picture is to look at the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture of the picture It's like this project. And this project will be published by Oskawai. Therefore, those who used to buy a smooth note that was a picture that didn't sell it. They didn't sell it because it was a real project.
32:30
It was a real project by the ex-girlfriend. It was hard for me. When I was in the same time, I went back to my ex-girlfriend. And I was able to sell it for a certain project. I was able to sell it for a single project.
32:46
So that's the result of my own. It's the result of this. When I saw the Oscar Wilde,
32:56
It's the painting that came from that day.
32:57
The painting that we can see is Oscar Wilde in the background. It's still in the background of Oscar Wilde. It's like a word or something. But it came from the painting that came from that day. It's official. It's official. It's the one who says it's fine.
33:09
It's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it's the one who says it. From me.
33:26
And still, we have to say that the end is coming.
33:27
Because in the past, there is a technique of art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art art
33:49
art art art art art art art art art art It's really good.
33:50
It's really good. It's really good for sale branding.
33:53
I think that when I listen to it, I'm trying to say how the book is a person. And it's a good thing. It's a good thing. It's a good thing.
34:07
You have to be the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one
34:32
That's what I did.
34:49
It's a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind of a kind That's when I came back to America. I came back to 1882. I came back to 1882. I came back to 1883. I came back to the end of the week. I changed my life.
35:20
I changed my life. I changed my life. I changed my life. I changed my life. I changed my life.
35:31
People asked me, I'm not a student, right? So I asked him, I'm Oscar Wilde, and I'm going to start again. We're going to start again. We're going to start again.
35:42
We're going to start again. We're going to start again. I'm going to start again. I'm going to start again. I'm going to start again.
35:52
I'm going to start again. I'm going to start again. I'm going to start again. I'm going to start again. I'm going to start again. I'm going to start again.
36:01
Show me three.
36:02
I'm going to come. Oh my god. I don't think I'm going to listen to this. It's this one.
36:12
And this is the beginning of the story of the story. The story of the real story and the story of the story of the story. And the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story of the story I came back to work. This is the main point of Oscar Wilde.
36:45
It's not like I can write. It's not like I can write. It's not like I can write. It's not like I can write. It's like I can write. It's like I can write. My mother is Gawie. So when I came back, there was a sign in English. I came back to English.
37:04
There is one word. This word is called Ladies' World. It's called Ladies' World. It's going to fall down to the ground. Oscar Wilde said, I'm going to change this word. I'm going to change this word. The first thing I'm going to do is I'm going to sit in the background. And I'm going to change the Ladies' World. Women's World.
37:31
The change of ladies is a woman. When we talk about ladies, we're going to talk about the fact that we talk about women. But when we talk about women, we talk about all of them. Therefore, when we change the name of the woman's world, it's edited by Oscar Wilde.
37:53
I'm going to change the world of the world. And I'm going to change the world of the world. I'm going to change the world of society. I'm going to change the world of the world. I'm going to change the world. I'm going to change the world.
38:14
That's great. So what happened was the idea of your mother who was an activist or she was looking for something during that period? No.
38:20
But there was a way to come back to the beginning. There was a way to come back to the beginning. Before the women's show, there was a way to come back to the women's show. There was a way to come back to the women's show.
38:35
The writing, the writing, is starting from the beginning of the book. There are many different forms of writing. There are no other forms of writing. There are no other forms of writing, or romance. There are many forms of writing. That made Oscar Wilde to enter and enter writing as a letter of writing. To create different forms of writing. When I realized that this is the point that There was a certain connection. And I was able to see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I can see that I think that my mother is still there.
39:20
It's dark. It's dark. I think it's dark. And don't forget that if we look at it, Oscar Wilde doesn't like the society that wants to go to. Which is something that is very hot. He wants to go to a high world world.
39:37
of English, but when he came back, he didn't like anything. He used it for a long time. He used it for a long time. He used it for a long time. He used it for a long time. Therefore, one thing is when he came back and realized The women are in the sense of thinking, or in the sense of thinking. Therefore, I have to take a look at the woman's world.
39:49
I'm going to be a person who, from everyone who knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about the fact that everyone knows about I have to say that the technique is
40:26
the critic as artist.
40:28
The critic as artist I like to write a book on my own. It's easy to write a book on my own. I'm going to use my own book on my own. So I created a new book that I called The Critic As Artists. I created two books on my own. My name is Ernest.
40:48
He's a person who asked me.
40:50
In this society, he's wearing a mask, right? And my name is Gilbert. He's a person who asked me.
40:59
From what we've seen, it's a society that's ready. The way that Oscar uses the speech to talk about it, it turns out it turns out it turns out it turns out it turns out it turns out it turns out it turns out it turns out it turns out it turns out it turns out But the idea that came to me was the idea that I think it was the world's world's world's world. When I was asked for him, I was asked for him. But I was asked for the person who called Gilbert.
41:28
And I was asked for the person who called Ernest to be a leader.
41:31
It also has a sense of thinking. People can't be scared. Because it's not Oscar.
41:37
I feel that two of us are talking about it. But it's not true. It's the product that comes from Oscar Wilde. But it's the product that comes from the audience. And it's the product that comes from the audience.
41:48
So it's a great question. It's a great question. If you use a technique like dialogue, you can use it.
41:58
It's the first one. It's the first one. It's the first one. It's the first one. It's the first one. It's the first one. It's the first one. It's the first one. It's the first one.
42:15
After this dinner, there was Oscar Wilde and Arthur Conan Doyle. The people who wrote Sherlock Holmes. Arthur Conan Doyle wrote Sherlock Holmes for a long time. And I still don't have the idea to write further. But the author of this film told me that I have a lifestyle called Lip & Cut. And I want to...
42:39
Niyai is the time that has a great feeling. It has a great feeling. I want everyone to write a great feeling. A great feeling that has a great feeling. That's the beginning of the day of Shaloham. That was the day that I wrote about Arthur Conan Doyle. In the same way, Oscar Wilde, we went back to the house and came back to the house. If I wrote that, The Picture of Dorian Gray.
43:11
It's now.
43:12
It's an important work. It's the most important work of Oscar Wilde. And what's the picture of Dorian Gray? If you're talking about one person, it's a person who is still a young person. And there's a person who is a person who is a person. And there's a person who is a person who is a person. Painter's painting was painted by Mews, Dorian Gray. It was painted by the portrait.
43:43
The portrait is the image of the image. The image is the image of the image. The image of the image is the image of the image.
43:52
But during the time that we follow, we see that Dorian Gray has a lot of attention to the society, which is called Lippincott. We can see that Dorian Gray has a lot of attention to the society that has become a lot of attention.
44:09
There's a lot of dialogue. There's a lot of dialogue. There's a lot of dialogue. There's a lot of dialogue. There's a lot of dialogue. There's a lot of dialogue. Every time that Dorian Gray did what he did, in this video, go back to home and look at the portrait of his own, it's a lot of dialogue.
44:27
But Dorian Gray, Dorian Gray, is a big part of it. It's a big part of it. But it's a big part of it. It's a big part of it. It's a big part of it. It's a big part of it. It's a big part of it. Dorian Gray is a big part of it. It's a big part of it.
44:53
It is that this painting is correct.
44:57
And Dorian Gray died in order to make the painting. That's why I did this painting, but at the end it was the painting itself.
45:06
Yes, because Dorian Gray's spirit and everything else, the good work is in the inside. So it's like a shadow. If anyone asks, In my home or in my life, I think it's the most important thing about Oscar Wilde. It's the most important thing. Because the most important thing about Oscar Wilde is the most important thing. Because the most important thing about Oscar Wilde is the most important thing about Oscar Wilde.
45:36
It's the most important thing about Oscar Wilde.
45:42
The Pictures of Dorian Gray has a theme that makes this theme a lot more. It's the theme of the beauty of the human being, which we should or not. And we talk about the two sides of the church, the slowest, and the culture. We talk about the themes between the human being and the world. Because it comes to all things that that's the end of the book, and you can choose the end of the book and the end of the book.
46:14
And there is another end of the book that is absent, which is homosexuality.
46:19
The people who read it in the day, when you know the book of Oscar Wilde, they will tell you that they are talking about this.
46:29
Painter is Avuso and Muse is a junior artist. There are some kind of things that can be used to the art of art. It makes the people who are interested in it.
46:46
I feel like I'm feeling like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like The team came out. And the people who are in the society, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, who are in the field, There are a lot of people who love Nihiyai, who are interested in the content of these people.
47:42
There is another one that says that this is Nihiyai, which is so beautiful.
47:47
Oscar came up to me. He came up to me. He came up to me.
47:54
He said, yes, I know that this is Nihapit. I wrote Nihapit, but I can't believe that Nihapit is such a beautiful beauty.
48:02
And the beauty of Nihapit is something that everyone has to do.
48:07
It's a dream.
48:08
It's a dream. It's a dream.
48:10
It's a dream that you can say something like this. You can't see it in the past, because there are people who can't be able to see it. But when I was young, I knew it was a dream. It was a dream. It's a dream. It's a dream. It's a dream. It's a dream. It's a dream. It's a dream.
48:25
But how do you understand every day?
48:27
It's very young. I thought, what is it? Why do you have to do a line? I thought it would be difficult for me. When I came up with my friends, I asked my English friends. My friends were Gothic, and I told them to hear about it. I thought, oh, it's hard to understand. It's hard to not understand.
48:46
You have to try to get a new one.
48:47
If you're talking about the brand or the people who write it, you can see how they write it again.
48:54
This point is because we don't want to look at Oscar Wilde without looking at Oscar Wilde.
49:06
The point where Oscar Wilde wrote about this, when I came to school, I would like to see what happened in my life. Now, there's something that happened in my life. I'll show you something like this. I'll show you later. I'll show you the pictures of the wedding day. This time, I have to tell you something like this. There's a village.
49:28
It's working with the women, called Constance. Every day, many people will talk about Constance and Oscar Wilde, because Constance is the name of Oscar Wilde. But there is a discussion, and there is a love for me.
49:46
And there are a lot of people who believe that they may be the same, but they are the female female. They have a real feeling of the female female. When we read a lot of words about the discussion of Oscar Wilde and Constance, it was very hard. There was a lot of pressure on Oscar Wilde, which he did for Constance, and the second one, But when it comes to the process, it will be the same.
50:19
It's so painful. I can't say that the concert is a real thing. But in this case, We have to go back to Victoria's age. In that age, there will be a relationship between the 3rd place and the living outside of the house. It is a way that makes the crop crop in the house. The point that I'm talking about is because I don't have to go outside of the house.
50:49
In the process of Oscar Wilde Oh!
51:15
I know that sometimes it's not the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing. It's the same thing.
51:46
There is one person who knows. But this person is not dead. There is another person who is dead. I'd like to remind you that Robert Ross opened another one of these stories. In this house? Yes. But the most important person in the house is the dead man. In the last year, after the pictures of Dorian Gray, the most important person.
52:15
He has a young man named Lord Alfred Bruce Douglas. He has a name named Bozey. We'll call him Lord Douglas or Bozey. Who is Nissith Oxford? He is the same with Oscar.
52:31
And it was a great idea of Oscar. I liked the picture of Jordan Gray. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. He liked it. I would like to follow all of the fans of the club at the beginning of the day. I would like to follow all of the fans.
53:03
I would like to follow all of the fans. I would like to follow all of the fans.
53:10
I'm going to follow my house. I'm going to ask for a person who wants to be a citizen. Because he's in Oxford. So he likes to be a citizen. I want to have a citizen to be a citizen. I want to be a citizen to be a citizen. I want to be a citizen to be a citizen. So I want to be a citizen to be a citizen.
53:31
How many people in the house are in the house?
53:33
In the house, there was probably a place called Phraya, Oscar Wilde, Robert Ross, and I don't know if it was still or not. But Bozi came out all the time. My wife didn't know that the house of Victoria was open for a while. It was open for us. It was open for us. But in Thailand, the door was open for us. But the relationship It started to stop the scene. This is the peak point of the scene of Oscar Wilde.
54:03
There was a meeting. There was a meeting. There was a meeting. So, what I'm doing is the cost of everything. Now, what I'm saying is there is a person who wants to read. And the publisher is looking at...
54:19
This character is a person who is ready. This character's name is the character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character's character The writing of Dorian Gray was already written by Dorian Gray. He was already written by Dorian Gray. Don't forget about it.
54:50
The writing of Dorian Gray was written by Dorian Gray. The writing of Dorian Gray was written by Dorian Gray. The writing of Dorian Gray was written by Dorian Gray. It was written by Dorian Gray.
55:02
I'm going to show you what I'm going to do. I'm going to show you what I'm going to do. I'm going to show you what I'm going to do. I'm going to show you what I'm going to do. I'm going to show you what I'm going to do.
55:20
The women of the Windermere's fan is the women of the Windermere. Windermere is the women of the Windermere. The women of the Windermere has a shoe. The shoe is the women of the Mrs. Erlen.
55:36
In fact, Mrs. Earlene didn't have a job for her. She was the mother of Lady Vindermeer who came to see her daughter, because she was a girl. At the same time, Lady Vindermeer wanted to open the door of Earlene to be a job for her. She was the one who came to help her.
56:01
I think that it's not true. And until the end of the end, there was a chance to get in the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end It means that when we look at the name of a high-quality name, it may not be said that it's a good name.
56:42
The name of a good name is a good name, a good name is a good name, a good name is a good name, a good name is a good name, a good name is a good name. Everything is a good name, a good name, a good name, a good name.
56:58
You can call Lady Langtree, who is the music of Prince of Wales, Edward VII. Mrs. Earlene, who is the mother of Lady Langtree.
57:10
Did you play with him?
57:11
No, it was about him. And Oscar Wilde took his friends to share the role of the actress.
57:21
I don't know what to say about my friends. Because Lady Langtree used to tell me that she has a child. And the child used to be like a child. And the child used to be like a child. And the child used to be good or not. Oscar wrote about it. After all, I knew that Lady Langtree has a child. It's like a child. It's like a child with Oscar Wilde.
57:50
Let's go, my friend.
57:52
And what did you do before?
57:53
No, I didn't do anything before. But this is a good thing. It's a good thing. It's a good thing. It's a good thing. It's a good thing. It's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing. Maybe it's a good thing.
58:19
Hmm.
58:48
There will be a combination of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color of the color ... ... ... ... ... ...
59:21
And don't forget that Oscar came out of the show. It's about art as an art. That's why the art is not really beautiful. It's beautiful. So the light is still there. Oscar created a fashion shop for one shop. That's the shop shop for Carnation. So the people who are in the work.
59:48
who is in the background of Lady Vietnamese fans, who is a homosexual, will know that she is the same thing with me. So when we see the character of Oscar's character, we can see that the homosexual is the same thing. Because it's a symbol, it's a symbol. It's a symbol of homosexuality.
60:08
Yes. Don't forget that...
60:15
Homosexuals will have a problem in many years. For example, the years of Oz, Wizard of Oz. Like, are you a friend of Dorothy? If you're a friend of Dorothy, if you're a friend of Dorothy, you're right. But if you're a friend of Dorothy,
60:32
What's that? That's what it is. That's what it is. That's what it is.
60:35
So, Carnation is the first one. And don't forget that Carnation is the first one. It's the first one. It's the first one. It's the first one. This is the second one. It's the second one. It's the second one. It's the second one. It's the second one.
60:50
Because if it's the second one. It's the second one. It's the second one. It's the second one. It's the second one.
60:58
So this is what I thought about. I thought that it was green color. I thought it was real. This is green color. I thought it was green color. I thought it was green color. I thought it was green color. I thought it was green color. I thought it was green color. I thought it was green color. I thought it was green color.
61:15
I thought it was green color. I thought it was green color.
61:18
I thought it was green color.
61:20
Thank you very much. You have to cut it off.
61:22
I have to cut it off for a minute.
61:24
I have to cut it off for a minute.
61:25
I have to cut it off for a minute. I have to cut it off for a minute. I have to cut it off for a minute. But I have to cut it off for a minute. I have to cut it off for a minute. I have to cut it off for a minute. I have to cut it off for a minute.
61:42
After that, I think about Pippewyn, I think about Cranetians 4K.
61:45
Yes, that's right. And if anyone knows who doesn't open up 100% but wants to know, I'm going to click on Cranetians 4K and I'm going to choose it. Talk to me.
61:54
Talk to me more easily.
62:03
It's amazing. It's a gimmick for years and years. Yes.
62:06
And I have to say that the work of Lady Vandermeer's Fair is so strong. And it makes the name of Oscar Wilde not so bad. It's just to mention the concept of the concept. And the concept of the concept is that I have to say that I have to say that.
62:27
It's like it's gone. It's gone. It's gone. It's gone. It's gone. It's gone. It's gone. It's gone.
62:50
I have to tell you more about Salome. Salome is related to the young man named Salome and the father of Herod. The father of Herod loved Salome, who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child who was a child And John the Baptist was the one who was in the house of Herod.
63:25
Salome was the one who said, I love you. If you love me, I will let you go. I will tell you that I will let you go. Salome said, no, I will not be afraid of you. The reason for the role of Salome is that there is one day King Herod told Salameh that I would like to see you in the book called The Dance of the Seven Vails.
63:55
It's the book of the Seven Vails. Salameh said...
64:00
I can. But if I did it already, I will ask what to do. I have to do it. One thing. I have to do it. I have to do it. I have to do it. I have to do it. I have to do it. I have to do it. I have to do it. I have to do it. I have to do it. One thing.
64:24
When I came back, I asked him, I want to get the money from Yohkanen to the money.
64:33
But this is not the right thing. It's a way to do it. But the Lord has given us the right thing. Therefore, the problem of Salome is the way that Yohchanan is attached to the head. And put it on the wall. And Salome is the way that Yohchanan is the right thing. It's true, but it's a way to explain it.
65:01
It's so hot, so bright, but it's not so bad. People in the past, I was shocked. I've never realized that Salome is going to tell you something like this. So it's another thing that I wanted to do.
65:20
Oscar Wilde is a kind of person. For those who don't know, there's a lot of search. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. There's a lot of search for John the Baptists. So let's search.
65:50
There is one thing about Salome. Salome was not written in Oscar Wilde by using English. It was written in French as well. And it was written by Douglas Bossey.
66:07
So people have to ask that people of Oscar Wilde can be written in English and French. They can be written in French. Why can't we write in French for Vosier to write in English? I think that they can be written in English.
66:24
I got a job for Bosie, because in the past, it started to have a problem regarding the cost of young people. And it started to have a lot of changes in this situation.
66:41
And the director of Bosie came out of the house of WISE is a lot. You have to have the opportunity to help you with the artist.
66:48
You have to help you with the artist. You have to work with the artist.
66:51
You have to work with the artist. You have to work with the artist. You have to work with the artist. You have to work with the artist. You have to work with the artist. When we look at the director of WISE, the director of WISE is like this.
67:06
The ideal husband is called The ideal husband. If we look at it, it's the actor who talks about what is the ideal husband.
67:21
Honestly, if you look back at the beginning of the book, it was that Oscar is a black male. There is a person who can buy a black male.
67:38
It was a black male. When it was a black male, I didn't know what to find out. I wrote a book about black male. And I wrote a book about how to be a black male.
67:54
There is no way behind the scenes, or the scenes that all have to be done. I have to make the scenes in the real relationship of my family. So I do husband, when we come back to the director, not to be a director, or a director, or a director, or something like that, let me see that Oscar Wilde saw the black male.
68:20
The importance of being earnest.
68:40
If you want to go to Thailand, you have to say that the attention of the cultural background of this film came from the relationship between Oskar and Bozzi. It was a huge amount of time, until it was a toxic relationship between people. And it made Oscar's question that We will not be able to be our own.
69:05
The importance of being earnest in my mind is that it is earnest, which is true. But in the same way, there is a character called Ernest. It is related to a couple of characters who have different people who are called Ernest.
69:22
Because I don't agree with that. I don't agree with that.
69:27
I don't agree with that.
69:29
I agree with that. I agree with that. I agree with that. And this song has a lot of fun. Because it doesn't have a great line. Because the line is the end of the society like Victorian. Which makes it so hard to be a real person. So this song came out in the day that Oscar Wilde I don't want to share my own feelings. I don't want to share my feelings. I don't want to share my feelings. I don't want to share my feelings. I want to share my feelings. That's why I said, what kind of feelings are you from?
70:02
I'm a director of this issue.
70:06
Oscar Wilde is a part of what we have to study in the world, or what is related to the language or language language. We have to study Oscar Wilde because the work that he did, which we have to say is that it's just a kind of thing. We can't understand it. But all of these things, when we look back, we have to say that it's a kind of thing.
70:36
The first time Oscar Wilde was the author of the series.
70:45
If you look forward to watching Oscar Wilde, it would be Charles Dickens.
70:51
You'll see Oliver Twist. Or George Eliot. You'll see Milton Marge.
70:56
This word is the word Victorian. The word has something related to the culture of the Victorian world. The word has something that you have to do. It doesn't mean it's about the culture of the culture, opening up the page, or the expression of the culture related to the culture.
71:16
Oscar Wilde said, you don't need it.
71:20
All art is quite useless.
71:47
Useless and worthless are not the same.
71:51
Decree is not the same.
71:53
That's why we have to claim that every skill of art is not the same. We have to claim that every skill of art is not the same. The skill of art is art for the art's sake. We don't have any skill to do anything. You don't have to serve society. You don't have to serve. I want to say that...
72:17
What does this book teach us?
72:40
But Oscar Wilde said, what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art?
72:59
Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does this book do as art? Do what does
73:04
If we go to The Picture of Dorian Gray, we will find another one. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book.
73:14
There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book.
73:18
There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an immoral book. There is no such thing as a moral or an imm In the same way, the words that talk about good things are not meant to be a good word or a good word. This is the It comes from the face to the face of the face of the face.
73:47
The second step is to make the difference between the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face of the face Is it the end or is it the end or is it the end?
74:06
Or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end or is it the end
74:29
or is it the end or is it the Therefore, the point that you look at the romanticism is not a problem.
74:32
That means that the people who don't understand the world. The people who don't understand the world are just a mode of seeing. What I would like to do is that the Oscar's idea is that Oscar's idea is that Oscar's idea. Because of the realism and naturalism, I would like to talk about this. I would like to use the style.
74:53
The most important thing about me. If I talk about style, I would like to talk about the style of style.
74:59
I would like to talk about the style of style. I would like to talk about the style of style. I would like to talk about the style of style. I would like to talk about style style style style style style style style style style style style style style style style style style style style style style style style style The first duty in life is to be as artificial as possible. The first thing is that the person who can hear this is the common sense.
75:33
The first thing in my life is the best way to do it. When the head is filled with the common sense, the head will start working and say, wait a minute, first duty is to do something that is real or is a culture. Therefore, when you move forward, natural, authentic and good.
75:56
It's not. It's a problem. Because Oscar said it's not to be a human being. It's not to be a human being. As artificial as possible. So first of all, let's start with our own self.
76:11
Secondly, I think that it's related to the realism and naturalism that we've been talking about. And that's the last thing that we've been talking about. We've been talking about what we've been talking about. We've been talking about realism and naturalism that we've been talking about. We've been talking about what we've been talking about. We've been talking about what we've been talking about. This is what we've been talking about.
76:37
Is it it? Is it? Is it? Is it? Is it? Is it? Is it? Is it? Or is it? We're trying to perform a lot of things.
76:41
We're trying to perform a lot of things.
76:43
We're trying to perform a lot of things. We're trying to make a lot of things. We're trying to make a lot of things. We're trying to make a lot of things. We're trying to make a lot of things. We're trying to make a lot of things. We're trying to make a lot of things. We're trying to make a lot of things.
76:59
This is the third part. This part is the part of the first part. The first part is the part of Oscar's film. It's the part of the insincerely or the fact that it's not real. It's a technical technique.
77:14
What is it?
77:15
What is it? The society of Victoria will say...
77:20
A good person will speak well. A good person will speak well. This is the point that Oscar Wilde didn't understand this kind of thing. A good person has to do a good job, but a good person. Is that true?
77:35
So when we look at Oscar Wilde, we can see that there is a hidden agenda. There is a hidden agenda. There is a hidden agenda.
77:52
And this is the one that comes to the technique that Oscar has come. That's the Comedy of Manners. The comedy of Manners doesn't have the meaning of Oscar Wilde. It's the one that comes to the end of the movie. It's the one that has already been 100 years ago. And it's gone for over 100 years. The one that is Sheridan. Oscar...
78:17
The comedy of manners came out, but came out and came out and cut it out. The first time we looked at the movie, the movie has to be action. The movie has to be action. The movie has to be action. The movie has to be action. The movie has to be action. The movie has to be action. The movie has to be action. The movie has to be action.
78:38
The movie has to be action. The movie has to be action. The movie has to be action.
78:47
So the thing Oskar did is to make our comedy of manners, which is about 900 years ago. But the conversation starts to become an action. The actor is standing there. The actor is standing there. The actor is standing there. The character is standing there. The character is standing there. The character is standing there. The character is standing there. The character is standing there. The character is standing there.
79:13
This is the most important point of Oscar Wilde, because the problem is that you don't have to worry about it. Use the words to talk, just to talk about it, it's a problem. The meaning of the word is from the word and the word language.
79:29
It's like when we read the script that's set up. And the actor is also trying to play with some kind of language. So this point is the point that if anyone has the opportunity to watch The Importance of Being a Nurse, The Ideal Husband, etc. You will feel that Oscar Wilde's character is not too slow. The actor's character may be used to follow the blogging, but the plot is too slow.
79:58
That's the thing that I've heard. That's the point that's very strong. And in the fourth section, we have to say that Oscar Wilde is an assassin. And then we have to go to Salome Salome is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that is a work that Decadence is that you can be beautiful, you can be beautiful, you can be beautiful, you can be beautiful, you can be beautiful, you can be beautiful, you can be beautiful, or you can be beautiful.
80:59
At this point, I think it's the most important point, because the age of modernism is the age of modernism.
81:06
There are many people who live in Oscar Wilde for Exorcism or Decadence, but the two of us, It's like modernism. It's created by two things, which are the two thoughts of Oscar Wilde's work. But you have to look forward to it. The first thing is, what you see is not like what you are. We've already talked about, good people, maybe not good people. Therefore, when you see what you are, it's not what you are. That's why telling you is more than the same thing.
81:38
Don't talk about it as a result.
81:44
It's just this. It's not just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea. It's just this idea.
82:08
The way we look at what we see is that we don't have the same thing. And the effect that we see is that we don't have the same thing. The way we think is that we think is one thing that is modernism. That's why we don't have to explain it. We don't have to explain it. We don't have to explain it. We don't have to explain it. Why do we have to explain it? Why do we have to explain it?
82:36
A, B, C, D . . . . . . . . . . .
82:59
You can't say that you just walk away and buy wood, buy wood, buy wood, and go back to work. Not right. You walk away from the house door, start thinking about the house. You walk away from the house, start thinking about the problems that have happened. You walk away from the house, start thinking about the problems that have happened. You walk away from the house, go to the wood, buy wood, and go back to the house. Every thing, every thing is closed. But it's in writing. This is what Oscar Wilde has given us in the work of writing. We'll talk about it later.
83:31
The point that you say about Oscar Wilde and Bozee are a toxic relationship. It's toxic because of Bozee's father. Marquess of Queensbury. Marquess is a person who is young. His father doesn't like the child. His father doesn't like the child to the child. His father doesn't like the child to the child. His father doesn't like the child to the child. His father doesn't like the child to the child. He doesn't like the child to the child. He doesn't like the child. Lord the Glass is in the same place.
84:01
Lord the Glass is in the same place. Lord the Glass is in the same place. Lord the Glass is in the same place.
84:08
He is in the same place.
84:14
When you're in the middle of the world, you're in the middle of the world and you're in the middle of the world. My father was very scared, but he didn't know how to kill his wife. He used the way to kill Oscar Wilde. The way to kill Oscar Wilde is the way to kill Oscar Wilde. The way to kill Oscar Wilde is the way to kill Oscar Wilde.
84:37
The importance of being earnest is the key of the importance of being earnest.
84:40
The key of the importance of being earnest is the key of the importance of being earnest.
84:44
The key of the importance of being earnest is the key of the importance of being earnest.
84:48
The key of the importance of being earnest is the key of the importance of being earnest. The key of the importance of being earnest is the key of the importance of being earnest.
84:58
But the result of the actress didn't let her know. She didn't understand her. She didn't let her talk to her. She didn't let her talk to her. She just walked away from the actress. She knew that she was playing at St. James in London at 1895. She was playing Valentine's Day at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James at 1895. She was playing St. James.
85:29
For Oscar Wilde, posing sodomite.
85:44
It's about Oscar Wilde. How to talk about it. It's like that. It's like that. It's like posting. It's like it's like it's like it's like it's like it's like it's like it's like it's like it's like that.
86:02
So so so so so so so so so so so That's what I'm saying. I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that When I went to Prince of Siberia, it was a great language.
86:45
Oscar Wilde was a great language. Oscar Wilde was a great language. Oscar Wilde was a great language. Oscar Wilde was a great language. Oscar Wilde was a great language. Oscar Wilde was a great language.
87:00
I think that it will be broken. There is a lot of background.
87:02
I think that this is the case that is true.
87:04
I think that it is not true. I think that Marquise of Queensberry is a part of the relationship between Oskar and Oskar. I think that this is not true. I think that Marquise of Queensberry is a part of the relationship between Oskar and Oskar.
87:17
I think that this is a part of the relationship between Oskar and Oskar. I think that this is a part of the relationship between Oskar and Oskar.
87:26
We had to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way to find a way which is the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact that it's the fact
88:04
It's a great deal. It's a great deal. Because I was forced to go back to Oscar Wilde. And I was forced to go for two years.
88:16
For two years, I have to think that the people of Oscar Wilde who came up to the point that was the big celebrity.
88:28
It's not just a country, it's a celebrity. And it has to be in the past two years. The professor looks at the top of this, and looks at the top of this, and the Oscar Wilde is like this.
88:48
Marquess of Queensberry is the best. He doesn't want to talk about the child, he doesn't want to talk about the child, but he doesn't want to talk about the pictures of Dorian Gray. He doesn't want to talk about the job. He says that this job is a job that is a job that is a job that is a job that is not successful.
89:04
When I heard the music, Oscar Wilde said, no. The work of me is a wonderful work. You will see that the picture of Dorian Gray is not a good work. This is the best work. It's not a good work. It's a good work. And it's a good work. And it's not a good work. And it's not a good work. Oscar Wilde was not a good work.
89:28
Bozzi is going to end up with the relationship between Oskar and Bozzi. He's going to end up with the relationship between Oskar and Bozzi. He's going to end up with the relationship between Oskar and Oskar. He's going to end up with the relationship between Oskar and Oskar. He's going to end up with the relationship between Oskar and Oskar. He's going to end up with the relationship between Oskar and Oskar. He's going to end up with the relationship between Oskar and Oskar.
89:55
So I think it's going to be prepared. We're going to know if it's true or what it's true or what it's true. But we're going to do it.
90:03
And we're going to do this. We're going to say that we're going to have 2 years and we're going to do it.
90:11
So you have to do a hard job?
90:14
You have to do a hard job in a way of being prepared, in a way of being prepared. To do hard labor, it's a hard job to do so that you have to do so. And there's a way to do hard labor. It's a hard job to do so.
90:35
It's hard to fix it until it has six feet and legs. And it doesn't have any respect. So the legs legs will finally be the one that makes the life of that life.
90:51
The first one is the De Profondis.
91:07
It was written in 1895, but it was written in the book. But it was written in 1905. It was written in 1905. It was written in Latin. It was written in the book. Profile. In Thai, it was written in the book. It was written in the book. It was written in the book. It was written in the book.
91:30
The definition of the definition of the definition of the definition of the definition of the definition of the definition of the definition of the definition But it's not the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end of the end It's like looking at the relationship between Bosie and Bosie.
92:05
Why do we always love each other? Why do we always love each other? Why do we always love each other? Why do we always love each other? And in the same way, why do we just let the relationship of each other, toxic to us, grow up our lives? But if we look at each other, it doesn't look like what you're doing.
92:29
But from now on, it seems to me that I feel. I feel that I feel that I have to go to where I am. Don't forget that my husband started to be an assassinism.
92:46
I think that my happiness, happiness and happiness will bring me to where I am. Because this time I was sitting in the room, I felt like if I didn't have happiness, I would bring me to where I am.
93:01
So it's like trying to bring himself to his own, by the way that everyone can bring it to the same place. The Profondis wrote in the book that he wrote in the book. But there is another one, which is the last thing of Oscar Wilde. It was 1897.
93:22
The ballad of Raiding Jail. Raiding is like reading, but Raiding is the name of Raiding. Raiding is called J-A-I-L. It's called G-A-O-L.
93:30
It's called Raiding.
93:46
The Ballad of Reading Jail is the theme of Red Jam Redding. It was the beginning of this project. When Oscar was in Red Jam Redding, there was someone who was waiting for his life. It was the time that he had.
94:04
And during the time of life, Oscar wrote a question about why we can do this kind of thing. It became a beautiful thing, and it became a beautiful thing. It became a beautiful thing, and it became a beautiful thing. It became a beautiful thing, and it became a beautiful thing. It was a beautiful thing called, Yet each man killed the things he loved. This is a beautiful thing that Oscar looked at.
94:32
Why do we love each other? We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together. We have to do it together.
94:58
The project that I wrote before is The Profundes. It's like I. It's like I. It's like I. It's like I. But The Blood of Reading Jail is like We. It's about to talk about what we can do and what we can do. The most important thing is the first sentence of the first sentence. I don't use Oscar Wilde.
95:25
It's called C.3.3. It's called C33.
95:28
It's the building that's in the Rearn Jamm. It's the building that's in the Rearn Jamm.
95:32
It's the building that's in the Rearn Jamm. It's the building that's in the building. C is the cell block cook.
95:42
The first one comes from land. It's the building that's in the building. And C is the building that's in the building.
95:49
Cook C, Dance 3, House 3. And after this sentence, there are people who give me a chance to write. The sentence is about the jump reading.
96:01
Until the 7th sentence, you can say this person is someone. And then you can check that it's Oscar Wilde. Finally, the sentence was boomed up. It's like the last money that will make your life until...
96:17
I want to say that I have to drink it until I eat it. This language has a lot of meaning. Because it's a language that is like opening the door. So we can see what's in the context. What's the situation? What's the situation? What's the situation? What's the situation? What's the situation? What's the situation? What's the situation? What's the situation? What's the situation?
96:43
It's important to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able to be able It's like a clone.
97:12
And the clone is a clone that doesn't have a lot of different things. It's like a thing that I've never seen before. It's like a modernism. There's a way to think about it. When I think about it, I put my feelings in the middle of the clone of the clone. So if we go back to the clone, we'll see the idea that you have to think about it. But it's about cooking.
97:39
This is the last one.
97:40
But I don't think that this is the last one. But the last one is the last one. The last one is the last one. But the last one is the last one.
97:49
The last one is the last one. That's why the last one is the last one. That's why the last one is the last one. The last one is the last one.
98:00
The last one is the last one.
98:09
I have no money. I have no money. I have no money.
98:14
I have no money. I have no money. I have no money. I have no money.
98:26
I have to move on to France. I move on to Paris. I move on to France because France doesn't have the meaning of Gross Indicency. Therefore, I have to move on to France. I move on to France. I move on to that place. I move on to that place. I move on to that place. And I move on to that place. I move on to that place. And I move on to that place.
98:52
And the new name is the name of Oscar Wilde. The name is Sebastian Melmoth.
99:02
Sebastian came from Sebastian, which is a great character of the world, and is a great character of the world.
99:11
Because you can see the image of Sebastian, and you can see the image of Sebastian, all the time.
99:18
So I just said that my name is Sebastian because of me.
99:26
There is a way to do it. It's a way to do it.
99:31
It's a way to do it. It's a way to do it. There's a way to do it. And there's a way to do it. And there's a way to do it. So Melmoth came from what? The name of Oscar was written in the first one called Melmoth The Wanderer. It was written by one of the one called Melmoth. So Melmoth was the one who had to go to the whole world and didn't have a point.
99:56
Oscar's name is Sebastian Melmoth. It's the actor who won't have a job. His life is in Paris, in a little bit. And there are other people who have written a letter that has written a letter that says, Oscar, it's not like anything. It's like a person who has a lot of pain. If you eat a bite, you have to say to your friends, help you out for a little bit. Because you don't have any money. It's a penny-less.
100:27
And for three years, in the 30th year, the 19-year-old period of 19-year-old period of time.
100:33
It was a result of the death of the death and death. It was a result of the death of the death and death. And the death of the death. And the death of the death of the death. And the death of the death of the death of the death of the death of the death of the death of the death of the death of the death of the death of the death.
100:53
It's been a long time for a long time. It's been a long time for a long time. It's been a long time for a long time. It's been a long time for a long time for a long time.
101:12
What is the window?
101:14
It's a window, because it's a lot of people going to make a line. There are a lot of people who love it, and a lot of people who love it. On the top it's like the Prozofinx. And that's the way of the world is going to make a line. They're going to make a window for a window, and they're going to make a window. And they're going to make a window.
101:34
This song was brought to Jacob Epstein. The song has a chance to go to that song, but it still doesn't have a job. And it's set up with lipstick.
101:48
People are going to take lipstick and drink. It's almost like a good idea. Now, I can imagine that I'm going to stop. My friends are saying that I'm going to stop. But I feel that I'm going to stop. And I feel that it's a lot of fun. Because it's a lot of fun. It's a lot of fun. It's a lot of fun.
102:09
Yes, and I felt that he would end up with all things, but the legacy of the project is still there.
102:24
I am so clever that sometimes I don't understand a single word of what I'm saying.
102:48
I am so clever.
103:10
But in real life, there is a society that is inside of us. Because Oscar Wilde has been trying to achieve the strength or the strength of the society of New Victoria, which looks like it is very important. There is something in something else, and there is something else. And there is something else. And there is something else. And there is something else. And there is something else.
103:35
I still don't know anything about him. He's talking about society. And that's the point that's the most important part of Oscar Wilde and the work of his career.
103:46
He was one of the people who lived in his life. And when he was in his life, he was born in U.C.S. at 40.
103:53
46 years ago, I had a lot of confidence in my own, and I had a lot of confidence in my own, and I had a lot of confidence in my own, and I had a lot of confidence in my own, and I had a lot of confidence in my own, and I had a lot of confidence in my own. I had a lot of confidence in my own, and I had a lot of confidence in my own, and I had a lot of confidence in Paris. But I didn't forget that I had a lot of confidence in Oscar Wilde. Every day we still talk about the work of him. That's true. So that this is the thing that he has to do.
104:21
When he says what he can do, he has to be the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one I want to bring it to you.
104:52
I want to bring it to you.
105:07
Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two. Artery to two.
105:24
Oscar Wilde, because when we talk about this country, we might not have this name. But let's listen to it, because it's PYMK. We are the team of the team, so I would like to listen to all of you. Now we have a lot of fun, but I want to listen to it because it's PYMK. You can listen to it in the comments.
105:47
Happy everyone. Thank you very much. And today, I hope you enjoyed this video. This video is brought to you by Chaps. If you don't forget to click on the code for 25% of the code for Faros 25. When you go to the hotel, you will get a good idea. This is when you go to the hotel, you will get a good idea. When you go to the hotel, you will get a good idea. You will get a good idea.
106:08
You will get a good idea.
106:10
But if you don't get a good idea, you will get a good idea.
106:15
Faro's 25, we'll talk about it. People Yimeno, we'll talk about it. We'll talk about it. We'll talk about it. We'll talk about it. We'll talk about it. We'll talk about it. We'll talk about it. We'll talk about it. If you come to the first time, please subscribe to Faro's Podcast. Faro's is two of them. There's four of them. There's four of them. There's four of them. There's four of them. We'll talk about it. Faro's. Thank you for listening to the subscribe button. We'll talk about it. We'll talk about it. We'll talk about it. Thank you.
106:42
People you may know.
